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African Novelists and the Transmission of Traditional Aesthetics

African Novelists and the Transmission of Traditional Aesthetics

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DEDICATION

This research material, titled “African Novelists and the Transmission of Traditional Aesthetics” is dedicated to God for His boundless grace and guidance. It is also a tribute to all computer enthusiasts whose contributions made my research journey smoother and enriched my documentation process, making the experience truly fulfilling.



ACKNOWLEDGEMENT

I am profoundly grateful to everyone who contributed to the successful completion of this project. I am especially grateful to my Supervisor (Name), the Head of Department (Name), and the Lecturers in the Department of English Language for their invaluable guidance and support. I also acknowledge the contributions of authors and scholars whose works on African Novelists and the Transmission of Traditional Aesthetics provided essential insights. Special thanks go to my study area (and any funding organizations, if applicable) for their financial assistance. I am equally thankful to stakeholders, including mentors, teachers, and colleagues, for their encouragement and support. Finally, I deeply appreciate my family and friends for their patience and unwavering support throughout this journey. Your contributions have been instrumental in making this research a reality.



ABSTRACT

African novelists draw their raw materials from different sources, some draw their raw materials from the folktales being told at night, some writes about the village life before the Colonial masters while some transfer the beauty in African tradition into their works. Laye’s The African Child and Achebe’s Things fall Apart are embodiment of African tradition as observed by other critics. Therefore this research work examines the transfer of traditional aesthetics in The African Child and Things fall Apart. This research work limits it’s analysis to the traditional aesthetics in The African Child and Things fall Apart. In conclusion, through the research findings, it has been discovered that The African Child and Things fall Apart are loaded with the best of traditional aesthetics. The two novelists through the use of traditional aesthetics in their novels have been able to show to the world, the beauty in African tradition.


African Novelists and the Transmission of Traditional Aesthetics

CHAPTER ONE

1.0 Introduction

1.1 Background Of The Study

Reading through African novels, this research work was triggered by a lot of borrowing from oral traditional aesthetics in to the written form by African novelists. The transfer of traditional aesthetics is a common feature in African novels. According to Bodunde (2001) “…. aesthetic transfer investigates the transformation of different aspects of indigenous heritage….” (p.7)

African traditional setting in general comprises cultural activities that constitute the concept of beauty or aesthetics. These aesthetics are enriched in the belief of or custom handed down from one generation to another. The aesthetics can be found in the people’s early beliefs, religions, customs, festival, myth, legends, laws, folktales, settings, communities, metaphysics and magical ceremonies of the people. African novelists mostly source their raw materials from African traditions. This is why the transferred aesthetics were formally oral.

TRADITIONAL AESTHETIC TRANSFER AND THE AFRICAN NOVELISTS

Many African novelists owe much to traditional aesthetics. There are many examples of African novelists that their works show evidence of traditional aesthetic. Good examples are: Wole Soyinka, Amos Tutuola, Sembene Ousmane and Ngugi wa Thiongo. These writers are African novelists and they are competent in using traditional aesthetics in their works. Amos Tutuola in his novel The Palm wine Drunkard makes use of lots of traditional aesthetics. Amos Tutuola writes about African cosmology, myth, legend, folktales, belief in supernatural powers and the African sociology. The novel is rich in morals, rituals, and entertainment. The novel brings out rich cultural elements Just as Chinua Achebe and Camara Laye had brought about the cultural elements in Things fall Apart and The African Child.

…

CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the conceputal review, theoretical framework, the review of related literature …

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In preparation for defending a project or seminar on African Novelists and the Transmission of Traditional Aesthetics, it is imperative that as a nursing student, you demonstrate comprehensive knowledge of your research. The defense process is structured to include presenting your work, answering questions, and illustrating its pertinence. Initially, provide a succinct yet thorough introduction to your research topic, emphasizing its importance and the objectives, ensuring that both the audience and the External Examiner can understand the scope of your study.

Prior to your defense, be thoroughly acquainted with your research abstract and the critical elements of Chapter One, including motivation for embarking on this research, problem statement, objectives, and significance. In Chapter Two, be ready to cite at least two references from the literature review. For Chapter Three, you should be equipped to discuss the methodologies, tools, and techniques utilized. In Chapter Four, defend your research by justifying the findings and linking them to your research objectives.

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