Rituals Music Songs and Dances in Nigeria

Rituals, Music, Songs and Dances in Nigeria

Project / Seminar Material
Reference ID: PS-10349-TM

DEDICATION

This research material titled “Rituals, Music, Songs and Dances in Nigeria” is dedicated to God for his enabling grace, and to all computer enthusiasts who contributed to make life a pleasant experience during my research documentation.

ACKNOWLEDGEMENT

I extend my sincere gratitude to all those who contributed to the completion of this project. Special thanks to my Supervisor (Name of your Supervisor), the Head of Department (Name of your HOD), the Lecturers in the department of English Language, Book Authors and Profound Scholars of existing or related project material on “Rituals, Music, Songs and Dances in Nigeria” for their invaluable guidance, support, and expertise throughout the journey.

I am also grateful to your study area (mention any funding organizations, if applicable) for their financial assistance. This research would not have been possible without the encouragement and assistance of some stakeholders (mention any mentors, teachers, or colleagues). Additionally, I would like to acknowledge the understanding and patience of my family and friends during this endeavor. Your unwavering support has been a constant source of motivation. Thank you all for being part of this meaningful endeavor.

ABSTRACT

Drama originated from the Greek word “dran” (to do). It is the imitation of action in performance. In Africa, Nigerian dramatic enactment started from ritual worshipping; which is a theory of the origin of drama.

Ritual is a traditional doctrine that has to do with the validation of myths or historical events which has been passed from one generation to another. This is a ceremonial or customary act in every tribe in different forms, the process of which contains songs, incantations, recitations, dance, wrestling and music. The flow of human life is re-enacted by speech and actions involved. It is then necessary to carry out this research to examine how Africa especially Nigerian writers reflect this theoretical origin of ritual impulse in their writings with a particular case study of Wole Soyinka’s Death and the king’s horseman and Ola Rotimi’s “Kunrunmi”. This Research projects is arranged to throw more light into traditional concepts in some writings of ” Wole Soyinka” death and the Kings Horseman and Ola Rotimi’s “Kunrunmi”.

It is therefore necessary to carryout this research to highlight the importance of ritual and dance activities to include traditional influence on writers.

It would also focus on related literature review that could consult in form of journals, novels and unpublished dissertations.


Rituals, Music, Songs and Dances in Nigeria

CHAPTER ONE

1.1 Introduction

… As a prelude to other parts of this study, this chapter will discuss the background upon which this study was initiated, the statement of problems that led to this study, the Aim and Objectives of the study. Others are Significance of the study, Scope of work, Research hypothesis and questions, Limitation of the study and Definition of technical terms.

CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the …

Summary Headlines for Rituals, Music, Songs and Dances in Nigeria