Seminar Research on Cinematographer as an Artist

Seminar Research on Cinematographer as an Artist

Project / Seminar Material
Reference ID: PS-25030-TM

DEDICATION

This research material titled “Seminar Research on Cinematographer as an Artist” is dedicated to God for his enabling grace, and to all computer enthusiasts who contributed to make life a pleasant experience during my research documentation.

ACKNOWLEDGEMENT

I extend my sincere gratitude to all those who contributed to the completion of this project. Special thanks to my Supervisor (Name of your Supervisor), the Head of Department (Name of your HOD), the Lecturers in the department of Cinematography, Book Authors and Profound Scholars of existing or related project material on “Seminar Research on Cinematographer as an Artist” for their invaluable guidance, support, and expertise throughout the journey.

I am also grateful to your study area (mention any funding organizations, if applicable) for their financial assistance. This research would not have been possible without the encouragement and assistance of some stakeholders (mention any mentors, teachers, or colleagues). Additionally, I would like to acknowledge the understanding and patience of my family and friends during this endeavor. Your unwavering support has been a constant source of motivation. Thank you all for being part of this meaningful endeavor.


Seminar Research on Cinematographer as an Artist

CHAPTER ONE

1.1 Introduction

The creation of a cinematic work requires a great commitment going through stages from finding the idea, buying copyright for adaptation from dramas or various writings, finding the necessary budgets from various private and public funds, employment of the artistic and technical team who must remain loyal to the work from the beginning to the end by assisting in the preparation and then on adequate terrains (Cleve, 2006). Image and audio recording in co-ordination with actors on a stage is very important. It is a link and creation of a chronological timeline by creating a particular story or content. Distribution is of great importance to a work because it will enable it to be seen for a wider public by appearing in cinemas and TV platforms and modern methods of the time. Lighting, in a traditional filmmaking context, is the principal responsibility of a cinematographer. Working with the director, art department and more than ever today, the visual effects team, a cinematographer utilises a variety of tools to achieve a cohesive visual narrative for a film within which light can play an integral role, making a creative contribution to the production.

As a prelude to other parts of this study, this chapter will discuss the background upon which this study was initiated, the statement of problems that led to this study, the Aim and Objectives of the study. Others are Significance of the study, Scope of work, Research hypothesis and questions, Limitations of the Study and Definition of technical terms.

CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the …

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