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A Gender Analysis on Novel Faceless by Amma Darko

A Gender Analysis on Novel Faceless by Amma Darko

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Reference ID: PS-7504-TM

DEDICATION

This research work titled "A Gender Analysis on Novel Faceless by Amma Darko" is dedicated to God for his enabling grace and to all computer enthusiasts who help to make life a pleasant experience.

ACKNOWLEDGEMENT

I owe my indebtedness to my Supervisor (Name of your Supervisor), the Head of Department (Name of your HOD), the Lecturers in the department of Linguistics and Communication, Book Authors and Profound Scholars of existing/related research material for your moral support that facilitated the successful completion of my (Tertiary Institution level). I am grateful to God Almighty and my parent for their financial support in my career. I really appreciate you all for everything, Thank you very much.


A Gender Analysis on Novel Faceless by Amma Darko

CHAPTER ONE

1.1 Introduction

According to Faceless (2003), Amma Darko's gendered text about the tragic experiences of children on the mean streets of Accra, opens with a wrenching rape scene at the Agbogbloshie market. In shocking and lurid details, Darko's narrative captures the horrid reality females, especially young teenage girls, endures and cannot escape. The almost surrealistic scenery of the rape act translates as vicious and relentless violations of the female body and desperate efforts of very young girls to defend their feminine space. The opening scene marks an attempt to crush the female body. This startling opening narrative signifies Darko's artistic predilections. Darko will not rein in her voice as the issues confronting her subjects are urgent and alarming.

As a prelude to other parts of this study, this chapter will discuss the background upon which this study was initiated, the statement of problems that led to this study, the Aim and Objectives of the study. Others are Significance of the study, Scope of work, Research hypothesis and questions, Limitations of the Study and Definition of technical terms.


1.2 Background of Study

Gender is the state of being male or female and typically used with reference to social and cultural differences rather than biological ones. Gender unfairness is not based solely on gender differences but on how people are treated differently because of their sex (Kolawole, 1998). Most of the changes in the gender system heralded as “revolutionary” involve women moving into positions and activities previously limited to men, with few changes in the opposite direction. The source of this asymmetry is an aspect of society’s valuation and reward system that has not changed much—the tendency to devalue and badly reward activities and jobs traditionally done by women. Women have made great contributions in their various communities cutting across the gamut of the ethnic nationalities that populate what is presently known as Ghana (Ikoni, 2002).

Darko's emergent voice gives a new feminist perspective on the issues of gender and class in contemporary African writing. She explores a recurrent theme of sexual exploitation of the most vulnerable members of society. Throughout her fictional works (Beyond the Horizon, 1995; Housemaid, 1998; Faceless, 2003; and Not Without Flowers, 2007, sexuality becomes an overarching metaphor to examine the values of Ghanaian society. Faceless surpasses the other works in artistic intensity and complexity. In this novel, Darko defines feminine sexuality in terms of a complex trope of transformation from voicelessness to voice and movement beyond facelessness to attain face or personhood. Darko seeks a way out of this prolonged nightmare by rendering women visible and by creating feminine voice and space. She urges women to revive their voice to sustain their lives. The women in Faceless are stigmatized, yet they engage in courageous acts to throw off the yoke of oppression in a male-dominated society.

According Godess Bvukutwa, patriarchy is so rooted in most African contexts that trying to separate it from our humanity is unfathomable for the most part. Meanwhile, apologists (including women) insist on equality between the sexes is a Western notion that will never work in an African creation. Moreover, Lady Bvukutwa argued that after years of listening to the same rhetoric by many men, government officials and even some women, this genre is a borrowed word, that gender equality is A Western notion that Africans imported, and stuck in African contexts; And therefore the same gender equality will never work in an African institution. However, Cham, Mbyre (2012: 89) stated that patriarchy was defined as a system of sexual power. It is a network of social, political and economic relations through which men dominate and control female labor, reproduction and sexuality, and define the status, privileges and rights of women in a society.

It is a successful system because those who obtain this privilege are often unaware of it and consequently perpetuate involuntarily the ill treatment of people in this society whose suffering is the fulcrum on which this society turns. According to Kolawole, Mary (2011: 116), this social system has managed to survive for a long time because its main psychological weapon is its universality as well as its longevity. It is difficult for many people to imagine a time when this system did not exist. It is even harder for people to imagine a future less patriarchal. But this must change (Kolawole, 116). Given that Labeodan (2012: 76) argued that a complete revision of our mentalities when it comes to African culture must take place if there is hope for the Black Consciousness Movement in this century.

On the other hand, since time immemorial, Nigerian society has been a patriarchal society (Aina, 2013). The patriarchal structure was a major feature of traditional society. It is a structure of a set of social relations with a material basis that allows men to dominate women (Makward, 272). It is a system of social stratification and differentiation on the basis of sex, which provides material benefits to men while at the same time imposing severe constraints on the roles and activities of women. There are clearly defined gender roles, while various taboos ensure compliance with gender-specific roles (Aina 2013: 6). Traditionally, men do not participate in domestic work, including the education of children - these tasks are considered to be the exclusive domain of women. Men are classified as having the following qualities: strength, vigor, virile / powerful courage, self-confidence and ability to meet the outside world, that is, animals and human intruders and treat effectively. These qualities were reflected in the kind of work to which men were engaged. Men were responsible for much of what was thought to be "heavy work". In short, men provided their families (Ogundipe-Leslie, Molara, 2012). Women supervise household chores. They kept the houses, processed and cooked all the food. They also assist in the planting and harvesting of food crops and cash crops. They were mainly responsible for the port and education of children from birth; Men were only expected to attend when extraordinary discipline was deemed necessary, especially for boys (Ogunyemi, 2011).

However, Okoli, Nkechi (2008: 57) argued that women, most often, played a secondary role in African literature, or in the words of Charles C. Fonchingong, marginalized. They were attributed mainly to the role of mother or wife, but always in the context of a woman assisting the head of the household either as a mother provides an heir or a wife taking care of the household affairs and showing herself worthy of his bed. As if the roles were not degrading enough, cultural norms and traditions surrounding these roles are themselves a definition of oppression (Okoli, 57). Women were described as more of a commodity than a self-aware being and this was refreshed in various games where the girl had to marry at an early age so that the family could use the bride's money to send the son for education. In other cases, any mother who can not give birth to a son (heir of a patriarchal society) has been bullied and, in severe cases, punished. And it was still preferable to a sterile woman (Olukemi-Kusa, Dayo, 210).

Therefore, in Nigeria where the research was carried out, the activities that was conducted is to discuss gender analysis on novel faceless by Amma Darko.


1.3 Statement of Problems

Investigation revealed that the most dangerous thing is the inability of many Africans to separate African culture from the systems that oppress the freedoms of African women. It is this inability to see a future where African culture is not tinged with patriarchal nuances which is the greatest threat to the Black Conscience Movement. Then Orabueze, (114) asserted that it is necessary that we disassemble what it means to be African and look more closely at what customs are just dishes and what defines our culture. My hope is to make understand patriarchy, African culture and the need to separate the two. However, patriarchy is a social formation according to Opara, Chioma, (2008) in which the male sex plays the dominant role in collective social existence.

On the other hand, patriarchy is a social system in which men hold the primary power and predominate in the roles of political leadership, moral authority, social privilege and control of property. More so, the projection of power over each material, physical or otherwise, is a shallow and primordial approach to problem solving. This frightening method has existed since patriarchy became the dominant social order through various human collectives.

Vasilyeva Ayala argues that “women as a group are supposed to share a characteristic trait, experience, condition or common criterion that defines their gender and the possession of certain persons as women (as opposed to men, for example)”. Ayala added that all women are considered different from all men in this regard (or respects). For example, MacKinnon thought that being treated in a sexually objectifying way is the common condition that defines the gender of women and what women and women share. All women differ from all men in this regard. In addition, highlighting females that are not sexually objectified does not provide a counterexample to the sight of MacKinnon. To be objectified sexually is constitutive of being a woman; a woman who escapes sexual objectification, then, would not count as a woman. (732).


1.4 Aim and Objectives of Study

The aim of the study is to discuss gender analysis on novel faceless by Amma Darko. In achieving this aim, the following specific objectives were laid out as follows:

  1. To analyze the gender aspect on novel faceless by Amma Darko
  2. To examine feminism on novel faceless by Amma Darko
  3. To describe the detestable environment in faceless by Amma Dako
  4. To determine the nature of men - masculinity and male dominance

1.5 Research Questions

The study came up with research questions so as to be able to ascertain the above stated objectives. The specific research questions for the study are stated below as follows:

  • Does women playwrights and female imaging in contemporary Africa emerge?
  • What is the role of feminism on novel faceless by Amma Darko?
  • What is the nature of men - masculinity and male dominance?
  • To what extent would gender aspect on novel faceless by Amma Darko be analyzed?

1.6 Significance of Study

The significance and importance of this study lies in the fact that gender equality in the area of gender roles and responsibilities is one of the principles of the women's liberation movement. The division of labor in these areas has been important to the movement as it is perceived as a major obstacle to professional equality for men and women. As long as women are in charge of a household and children while pursuing a career, they can never devote enough time and energy to professional demands to compete with men who can and are encouraged to devote all their time and energy to pursuing careers.

The study also hopes to highlight the problem associated with gender and make use of improving equality thereby minimizing the problems associated with gender in its environment. Finally, the study will inform the whole, the nature of men - masculinity and male dominance.


1.7 Scope of Study

The scope of the research is focused on the Gender Analysis on the Novel Faceless by Amma Darko. This study is to discuss gender analysis on novel faceless by Amma Darko. The study will also look at feminism usually to show how women have developed over time both intellectually, socially and culturally.


1.8 Limitations of the Study

During the course of this study, many things militated against its completion, some of which are:

  1. Time Constraint: The time frame given to accomplish this project was very short due to school academic calendar and it was carried out under pressure which made the researcher not to implement some necessary features.
  2. Research material: availability of research material is a major setback to the scope of the study.
  3. Frequent power failure: This made the researcher append more money on fuel to ensure sustainable power.
  4. Financial Constraint: Insufficient fund tends to impede the efficiency of the researcher in sourcing for the relevant materials, literature or information and in the process of data collection (internet).

1.9 Research Methodology

This research is mainly empirical, using the conventional approach as the framework for our data analysis. The study of gender is given an apt attention in our analysis. Our analysis, though solely drawn from Amma Darko: Faceless.

CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the …

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