× Close

📚 Project Proposal Topics PDF Department List & Materials for Google Scholars
Accounting Topics
Adult Education Topics
Banking and Finance Topics
Civil Engineering Topics
Economics Education Topics
📚 List of Project Proposal Topics and PDF Materials for (2025) Students

Search for Project and Seminar Topics Post Market Item or Services for Free
An Analysis of Asian Theartre

An Analysis of Asian Theartre

Project / Seminar Material
Reference ID: PS-10528-TM

DEDICATION

This research material titled “An Analysis of Asian Theartre” is dedicated to God for his enabling grace, and to all computer enthusiasts who contributed to make life a pleasant experience during my research documentation.

ACKNOWLEDGEMENT

I extend my sincere gratitude to all those who contributed to the completion of this project. Special thanks to my Supervisor (Name of your Supervisor), the Head of Department (Name of your HOD), the Lecturers in the department of English Language, Book Authors and Profound Scholars of existing or related project material on “An Analysis of Asian Theartre” for their invaluable guidance, support, and expertise throughout the journey.

I am also grateful to your study area (mention any funding organizations, if applicable) for their financial assistance. This research would not have been possible without the encouragement and assistance of some stakeholders (mention any mentors, teachers, or colleagues). Additionally, I would like to acknowledge the understanding and patience of my family and friends during this endeavor. Your unwavering support has been a constant source of motivation. Thank you all for being part of this meaningful endeavor.


An Analysis of Asian Theartre

CHAPTER ONE


Introduction

Attempting to look into the drama and theatre of the Asian world is like saddling one with the task of looking into the deep blue sea to fish out all the species of fishes therein. W. B. Worthen, based on the multifacetedness of the Asian world and it versatile political histories, authoritatively asserts that “the drama and theatre of the Asian world has a history as complex and multifaceted as the histories of the many civilizations, peoples and nations” (99). The Korean Arts Management Service affirms this position in a book, Asian Arts Theater Research on the Actual Condition of Performing Arts in Asia that:

Unlike the Western World, Asia has such a long history and traditions thereby presenting a variety of cultural diversity, which cannot be generalized into a single definition. Together with its own artistic heritages and newly accepted modern performing arts, Asia became the home to a number of new artistic possibilities. Various performing arts forms of Asia have already made a significant impact on the modern performing arts of the Western, gaining growing attention from the rest of the world (5).

Therefore, this paper only attempts to consider the contemporary Japanese theatre, however, it is noteworthy to state that the history of the development of theatres in Asia are somewhat interrelated because of the political and religious dominances of some countries over others. Take for instance the Indian literature of SANSKRIT and KATHAKALI (dance and music drama) which have lasted for more than three thousand years old still have their place of influence and popularity. The conventions of Indian theatre have pervasively influenced theatre of Southeast Asia; the Sanskrit epic poems Mahabharata and Ramayana offer the characters and settings for the beautiful shadow puppet theatre of Java in Indonesia − WAYANG KULIT − and related forms of performance using dolls or live actors.

In a similar pattern, the masked dance drama of Korea which is called KAMYONGUK is also related both to Chinese and Japanese theatre, and Korea, like other Asian countries, has developed an important contemporary theatre. No one theatre can be said to represent the rich and diverse theatrical traditions, the classical theatre of Japan shares many features common to other Asian theatres: it blend aristocratic and popular affiliations; it descends from social and religious ritual traditions; it coordinates acting, dance, music and spectacle; many of its plots and characters are derived from familiar literary and historical narratives and legends; its performance conventions are elaborately stylized and refined; and it performers are often trained with level of formality not found in western theatre. Since this paper concerns the contemporary Asian theatre and its practice today, it is then canny to avoid its verse history of theatre.

CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the …

Summary Headlines for An Analysis of Asian Theartre



    NEED HELP? CALL US 24/7:
    +234 803 051 1988