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An Appraisal of Ayo Aina's Installation Art

An Appraisal of Ayo Aina's Installation Art

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DEDICATION

This research material, titled “An Appraisal of Ayo Aina's Installation Art” is dedicated to God for His boundless grace and guidance. It is also a tribute to all computer enthusiasts whose contributions made my research journey smoother and enriched my documentation process, making the experience truly fulfilling.




ACKNOWLEDGEMENT

I am profoundly grateful to everyone who contributed to the successful completion of this project. I am especially grateful to my Supervisor (Name), the Head of Department (Name), and the Lecturers in the Department of Fine Arts for their invaluable guidance and support. I also acknowledge the contributions of authors and scholars whose works on An Appraisal of Ayo Aina's Installation Art provided essential insights. Special thanks go to my study area (and any funding organizations, if applicable) for their financial assistance. I am equally thankful to stakeholders, including mentors, teachers, and colleagues, for their encouragement and support. Finally, I deeply appreciate my family and friends for their patience and unwavering support throughout this journey. Your contributions have been instrumental in making this research a reality.




ABSTRACT

The research is an attempt made to appraise the installation Art of Ayo Aina and to find out the socio-cultural relevance of his work to the Nigerian society. Related literature on the artist were reviewed coupled with oral interview. From this research work, the role played by the artist and the relevance of his work to the Nigerian society is highlighted through the analysis of styles and materials used for his installation works and the interpretation. Data collected for the study were analysed, and from the findings it was discovered that Ayo Aina was inspired by the huge pile of waste generated by the inordinate, consumerist mentality of the 21st century society. It was also. Discovered that the artist has been practicing other forms of art apart from installation, such as, painting, mosaic and relief murals.

These are as a result of the artist”Ÿs powerful creature ability, who attended the premier art school which exposed the artist to different art styles. The study also revealed that the artist has participated in about 17 groups and 4 solo exhibitions both within and outside Nigeria. The study revealed that Ayo installations are humorous, the installations reflects the reality of situation that addresses the socio-cultural situation in the society. For example globalization, hard lesson and child trafficking, the study discovered also the conceptual uniqueness in style of Ayo”Ÿs installations, and its innovative art that critically pass across a message, such of work is Victim, Red Handed and Pump price. Installations made by Ayo Aina, which are emphasizing the need for change on certain areas of public and private life, should be brought to relevant authority and should be in places of national interest, like museums, galleries and public places to serve as objects of information and education. Based on the findings of the study, recommendations are advanced as to how the government of Nigeria can encourage the artist in the area of installation that addresses societal issues.



An Appraisal of Ayo Aina’s Installation Art


1.0 Introduction

Installation is a kind of art that uphold the status of ideas beyond the significance of materials or productions. The late 1960s marked the beginning of a wave of social, ecological and cultural change that swept the world in artistic expression. The impetus of its growth stems largely from the advent of modern techniques and rapid pace of life which brought an accompanying guarantee for dissemination of new ideas and achievements. As with the various art movements, it appears that the wish to modify an existing art tradition had led to the full emergence of performance and installation art. Yusuf (2007) observed that, the emergence of both performance and installation art could be a result of artistic response to social influence and intellectual reasons.

The word installation is relatively a new term in contemporary art emerging out of the discipline-blurring, irreverent artistic experimentations of the 1960s and 1970s. Wilson and Lack (2008) defined installation as the term used to describe mixed media construction or assemblage, usually designed for specific place and for a temporary period of time. Installations are works that often occupy the entire room or gallery space that the spectator invariably has to work through in order to engage fully with the work of art. However some installations are designed simply to be walked around and contemplated upon or are so fragile that they can only be viewed from a doorway or one end of a room.

Installation online (2014) defines installation art as an artistic genre of site-specific, three-dimensional works designed to transform the perception of a space.


CHAPTER TWO

2.0 Literature Review

2.1 Introduction

This chapter focuses on the review of related literature. A literature review includes the current knowledge as well as theoretical and methodological contributions to a particular topic. It documents the state of the art with respect to the topic you are writing. It surveys the literature in the topic selected. In this research work the literature review includes the conceputal review, theoretical framework, the review of related literature …

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Defense Procedure for Fine Arts Researchers


In preparation for defending a project or seminar on An Appraisal of Ayo Aina's Installation Art, it is imperative that as a nursing student, you demonstrate comprehensive knowledge of your research. The defense process is structured to include presenting your work, answering questions, and illustrating its pertinence. Initially, provide a succinct yet thorough introduction to your research topic, emphasizing its importance and the objectives, ensuring that both the audience and the External Examiner can understand the scope of your study.


Prior to your defense, be thoroughly acquainted with your research abstract and the critical elements of Chapter One, including motivation for embarking on this research, problem statement, objectives, and significance. In Chapter Two, be ready to cite at least two references from the literature review. For Chapter Three, you should be equipped to discuss the methodologies, tools, and techniques utilized. In Chapter Four, defend your research by justifying the findings and linking them to your research objectives.


Conclude your defense by succinctly summarizing the study and offering insightful, evidence-based recommendations. A professional dress code, such as wearing a suit and tie, is vital to create a favorable impression and elevate your presentation.


During the question and answer segment, the External Examiner may pose questions pertaining to your research. If confronted with a challenging or irrelevant question, respond diplomatically with, “Sorry, Sir/Madam, the question asked is beyond the scope of my study.” Whenever possible, direct your answers back to your research findings to reinforce your expertise.


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